As Hollywood's most notorious celebrity hideaway, the Chateau Marmont is the best spot for A-list sightings, especially in its two fantastic yet reasonably priced restaurants. Unfortunately, for tourists, most everything else disappoints. The pool's small, the gym's dark, and the standard rooms are dowdy. Book a room at the London instead, and head here for dinner to get your celebrity fix. Perched on a hill overlooking Sunset Boulevard, the Chateau Marmont has been a bastion of old Hollywood -- and a way of life for many a celebrity -- since it opened in With its faded oriental rugs, velvet couches, beveled mirrors, and brass candelabras, the atmosphere is brooding and nostalgic, as discreet as it is decadent. Loosely modeled after a chateau in France's Loire Valley, this temple of romance and hedonism has a history as thick as the stains on its carpets. John Belushi overdosed in a bungalow, F. Scott Fitzgerald had a heart attack here, and members of Led Zeppelin rode motorcycles through the lobby.
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We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, read our Cookie Policy. Aside from texting in a movie theater once in a while or taking a left after a red, Angelenos are a pretty well-behaved bunch; we even get to bed early. But not at Chateau Marmont. Architect Arnold A. Studios rented apartments and rooms for the express purpose of having someplace safe for their stars to engage in whatever nasty little habits they had. When it wants to, Hollywood can be exceptionally good at keeping its own secrets.
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The hotel was designed by architects Arnold A. Weitzman and William Douglas Lee and completed in The hotel is known as both a long- and short-term residence for celebrities [5] [6] [7] [8] [9] — historically "populated by people either on their way up or on their way down" [10] — as well as a home for New Yorkers in Hollywood.
In the late s, as Hollywood was booming and Beverly Hills was sprouting a bumper crop of movie-colony mansions, the stretch between them was little more than sagebrush and scrub. Winding through it was a forlorn trail with a presumptuous name: Sunset Boulevard. Where this unpaved road met Marmont Lane, catty-corner to an oasis-like complex of villas in mid-construction called the Garden of Allah, the attorney and developer Fred Horowitz became mesmerized by a barren hillside. Horowitz had found his spot. Here, on the north side of Sunset, he would build a brawny, earthquake-proof, seven-story, Manhattan-worthy apartment house in a fairy-tale French Gothic style: thick, buff-colored walls, spiky turrets, steep roofs, arched windows, raftered ceilings, and a vaulted colonnade, with the two flanks of the building folding in upon a grassy courtyard, all adding up to a veritable fortress of luxury, taste, and fantasy. Promising Park Avenue-style discretion and privacy, it would be a sanctuary for New Yorkers moving West and for movie machers desiring East Coast polish. Horowitz toyed with names: Chateau Sunset? Chateau Hollywood?
